We may have a soft spot for architects and designers working directly with media as a way to influence architecture and urbanism. Perhaps this is partly given the heritage of Archigram, Superstudio, Cedric Price, Reyner Banham, Yona Friedman et al, but also due to us ‘curators’ all being bloggers, at least to some degree.
So Jeffrey Inaba’s work at the Columbia Laboratory for Architectural Broadcasting (C-LAB) is particularly interesting, not least their magazine Volume, an influential component of the architecture and urbanism press, produced in collaboration with Archis and AMO. Volume is always worth reading, not least as it takes a very broad-minded and inquisitive view of what architecture can be in the first place. It’s as comfortable with an article on the history of Pininfarina or the Watergate complex as it is with various political agendas. It’s variably designed - sometimes fashionably undesigned, in the contemporary lazy style; other times excellent, confident, exploratory and playful. While you have to wonder whether Volume has any impact outside of “the converted” or the niche audience of the existing architecture and academic community, it does at least try to engage through a widescreen view on contemporary urbanism whilst retaining a sharply intellectual tone and a nose for the political in architectural practice. A good thing.
Inaba concentrates mainly, though not solely, on Volume throughout a talk in which he rapidly disappeared into the gloom of the first night of Postopolis! LA, lit only by the large projected images of page spreads above his head.