Well, more or less. Not quite the full platform imagined in that post - or this - but a small step in that direction.
I'm currently teaching a two-week class at University of Technology Sydney, on the Master of Digital Architecture degree. As per the 'street as platform' idea, we're creating a multiperspectival portrait of the street, seen through the lens of data. Some of this data is derived from various sensors we're placing around the immediate urban environment, some of it is scraped from websites or other sources. The patterns arising from the collision of these datasets are being explored through visualisations produced in the Processing language.
We've got the 12 or so students blogging about their progress throughout the course, which extends from learning Processing from scratch (plus working in a web services-enabled design environment) to exploring the possibilities and vagaries of real-time data, scraping historical data off the web, and thinking through what it means to visualise patterns in urban data, from conceptual, aesthetic and pragmatic viewpoints. We're heading towards a small exhibition based around an installation in which the visualisations are projected - so ultimately exploring the ideas of projecting urban behavioural data back into the street, as per this system diagram.
Keep an eye on the students' blog for progress updates, and I'll post more links, context, images, notes &c. to follow, but for now, a quick word from the street itself:
Following on from our recent 'post-occupancy evaulation' of the State Library of Queensland's wi-fi (see previous post) in my role at Arup, I thought I'd share a couple of outputs. (Thanks to Tory Jones of the State Library of Queensland for permission).
One of the ideas I've been exploring relates to how urban industry - in the widest sense of the word - in the knowledge economy is often invisible, at least immediately and in situ. Whereas urban industry would once have produced thick plumes of smoke or deafening sheets of sound, today's information-rich environments - like the State Library of Queensland, or a contemporary office - are places of still, quiet production, with few sensory side-effects. We see people everywhere, faces lit by their open laptops, yet no evidence of their production. They could be using Facebook, Photoshop, Excel or Processing.
I've been developing a few ideas for exploring this industrial activity, which I hope to share here later, but the post-occupancy work on the Library's wi-fi involved creating a few representations of the service; a service which is all but invisible. Outside of monitoring the server logs, the wi-fi can only be perceived through the presence of users themselves, or of course via devices that detect wi-fi.
So as well as photo-essays, videos and in-depth interviews with users, and relating to this idea of making the invisible, visible, I mapped the strength of the wi-fi signal across levels 1 and 2 of the Library, the primary areas that the Library’s wi-fi is used. By taking readings across the floor of both levels, using standard wi-fi-enabled consumer equipment in order to mimic the conditions for the average user (in this case a MacBook laptop and a Nokia e65 mobile phone), I was able to construct a snapshot of the wi-fi signal strength across the Library.
I then articulated this set of readings as a basic 3D model in SketchUp, with peaks representing good wi-fi signal strength (4 bars, for example) and troughs representing poor wi-fi signal strength (no bars/no connection, or intermittently 1 bar). Each ‘bar’ defined a level in the 3D model (1 bar = 1 metre, roughly). This gives a sense of the wi-fi as a shape, with a physical form. Although literally misleading, it helps to understand wi-fi as a discrete phenomenon, via a form of translation.
While this model is not intended to be totally accurate - wi-fi signals may change in different atmospheric conditions, and perceived signal strength will vary depending on the equipment used - it does convey a sense of the overall ‘shape’ of the wi-fi, as if we could perceive it in physical form. Sensing the wi-fi like this is almost akin to dowsing - detecting the presence of unseen forces - and mimics the sensation of users attempting to discern where the wi-fi signal is strong.
The model was initially overlaid onto a floorplan of level 1, and subsequently scaled up to sit over a snapshot of the site from Google Earth. When comparing with the built form, we can explain the strong signal over the north-western egress of the Knowledge Walk. Through our observations at the Library, we saw that users have figured out that this is a good spot - one of the 3 wireless access points currently on that floor is located in the nearby meeting rooms, not that users would know this. The presence of the ‘bench’ extruded from the wall provides useful affordances for users too, almost suggesting it’s a good spot to sit and access the wi-fi (although again, we suspect that is accidental coincidence of design). Similarly, the floor-to-ceiling windows from meeting rooms and open corridor leading outside means there is minimal concrete to block the signal. So this 3D model helps suggest a correlation between use of the space, the shape of the space, and the strong wi-fi signal.
Following the central spine of the wi-fi model through towards the south-eastern edge, we can see how the wi-fi ‘leaks out’ of this end of the building, through the open end of the Knowledge Walk outside onto the concourse in-between the Library and the building destined to be The Edge. Elsewhere, thick concrete mitigates against wi-fi spreading far, unfortunately including the café and the fabulous deck areas on the river, where the signal falls off sharply (currently).
I allocated the SketchUp model a skin of netting, in a nod towards the Cedric Price-designed aviary at London Zoo. This seemed to me a similar structure, and suggests that 'wi-fi cloud' might actually feel like a containing volume - a net of wi-fi, as if seen from a user’s or bird’s point-of-view.
Formally, the result is hardly elegant, and bears little relation to the AIA award-winning structure by Donovan Hill/Peddle Thorp. (Incidentally, it’s been a great pleasure to work with Timothy Hill on this and other projects recently). The sharp angles and abrupt faces are accidents of the crude construction in SketchUp and the simplicity in my measurements. I should probably take it into 3D Studio Max or something, to render it with more graceful curves, or a material that would more properly represent the qualities of radio waves - perhaps something like Diller+Scofidio's Blur Building.
As I understand it - and now I've seen all 5 seasons of The Wire, I feel like I now ought to know this kind of thing - the sight of a pair of shoes dangling high from telegraph or electricity wires, usually over a junction, is a tacit sign that this might be a place to 'score' of an evening.
Yet how on earth to explain this?
A pair of catfish strung over a wire in St. Lucia, Brisbane. Photos shot through the windscreen of a State Library fleet car, on our way to UQ. Catfish Blues.
Geoff Dyer: Zona: A Book About a Film About a Journey to a Room (Still reading, but...) Dyer—in my top five, fwiw—does a kind of written (non-Director's) commentary through every scene of Tarkovsky's "Stalker". Absolutely hilarious, with sudden blooms of insight. (*****)
Steven Johnson: Future Perfect: The Case For Progress In A Networked Age Steven kindly asked me for comments on his draft of this, which is what I read. There's so much in here; I don't fully buy the premise and promise of networked politics, as Steven knows, but I do buy a lot of it. Excellent survey of current progressive thinking about political systems and cultures, and so highly useful. (****)
David Brooks: The Social Animal Was hoping it would have more on the psychology underpinning decision-making (at personal and institutional levels); decent, readable primer on behavioural and cognitive psychology nonetheless. (****)
John Lanchester: Capital I prefer Lanchester's non-fiction, such as the brilliant "Whoops!/IOU" and his essays for LRB, but this is still a compelling little tale of a London street and by extension, contemporary London. (****)
Natalini: Superstudio: The Middelburg Lectures Good collection of reflection on the work of Superstudio, in the context of that particularly fertile period for Italian radical architecture. (*****)
Ian McEwan: Solar An odd book. Somewhat humdrum affair from McEwan. Engaging in places, funny in places, but curiously lacklustre overall. But McEwan is always worth reading to some extent. (***)
