« JG Ballard's Top Ten Sci-Fi Films | Main | Screening Crimewatch on the city »

May 31, 2005

MS City 1.0

Andrew Otwell points us to an interesting half-hour video on Microsoft's Channel9 site, which showcases their forthcoming mapping/geolocation product, Virtual Earth. As Andrew suggests, it looks to be way more advanced than Google Maps in several ways, perhaps not surprisingly given Microsoft's (relatively) long history as the daddies of the digital mapping business. If you can bear the awkwardly non-staged, perhaps Dogme-influenced presentation - "Hey shove the 'tech guys' in front of the camera!", including the presenter's authentically childish "Take that, guys down at Mountain View!" and "Can you see sunbathing in the backyard? Hur hur" etc. - it's a pretty fascinating tour through the product, including some juicy facts along the lines that MS have had a SOAP API out for their mapping products for around 3 years now, doing 20 millions transactions a day ...

But more on Virtual Earth. A single killer feature is the hybrid view, which superimposes graphical map information on top of the photographic satellite imagery. Whilst I'm not 100% convinced of the efficacy of being able to zoom in to direct-overhead satellite photos, the beauty of this particular city view is utterly compelling.

In terms of the user experience, it's the already-ubiquitous AJAX-based approach (nice quote from one of the developers here: "The best way to share an application is over the web"), apparently cross-browser (which to MS means Firefox and Explorer). This means dragging maps around in the Google Maps style, but with additional keyboard control (arrows keys; + and - for zoom), as well as double-clicking to zoom in. This latter is interesting, as at some point, the double-clicking could stop zooming into the map and instead 'zoom into' (i.e. open up in the same window?) the website of the organisation concerned. This would be an extension of the Eamesian tunneling zoom, but instead opening up/continuing the zoom into the virtual representational space, rather than virtually rendered physical space. Interaction design problems abound - talk about a 'threshold' point - but possibilities perhaps.

The 'game panning' of the compass tool looks very smart i.e. replicating different pan speeds depending on your handling of the compass icon. Search is built in very cleverly, with queries remaining live and contextual i.e. it updates the query results as you drag the map around ... So searching for "public libraries" will keep a continually updating list going in a pane on the left, as you pan the map around. A scratchpad to the right contains those particular results you want to check out - or indeed one-click-blog to MSN Spaces (with deep links, jolly good). You can layer these searches i.e. perform multiple queries, marked with different coloured and numbered icons on to the map.

The user experience seems fairly smooth, and making the map itself the interface has a pleasingly recursive edge. One aspect of the experience is fairly fatally flawed though: the erroneously-named 'Virtual Earth' looks set to start with only one nation. Can you guess which it is? (Clue: It's not Wales). Again, geopolitical patterns of power implicitly replicated in code. A less hubristic name may be more appropriate while the Earth is in beta. But you have to start somewhere, and we can see why they have started there. And yet, from visiting Microsoft researchers and designers last October, I know that approx. 46% of Microsoft revenue comes from the USA, so the 146 countries they're also based in would already seem contribute a greater proportion.

The real killer feature, to follow apparently, is the "eagle-eye view" which gives a more comprehensible view of the city, drawn from a plane's low elevation flyover at 45 degrees. This begins to create a usefully recognisable city representation. This still isn't how the average punter sees the city though (exception for those in high-rises), and I'd like to hear Microsoft's thoughts as to something on the scale of Amazon's 'block-view' drive-by photos at eye-level. Zooming down to that level gets useful, over and above the gorgeous wow factor of the SimCity elevation. To zoom and rotate from overhead projection to isometric view to the view from the street level - in both graphical map and photographic form - is surely the long game here.

Right now, however, the zoom from these 'eagle-eye' photos goes potentially a lot deeper but the developers seem aware of the latent privacy issues involved. So these are not real-time images, and they don't zoom down to show license plate data or people's face, for instance. Although tantalisingly, they could. The images are actually "cleansed" (their word, and how Orwellian?!), which means that the images of the people are removed. Bizarrely - and inadvertently, wonderfully poetically - they leave the shadows that the people had cast in. So no people are present in Microsoft's cities, but their shadows are! This immediately conjures thoughts of other "cleansed" imagined cities, but is also reminiscent of Antonioni's Blow Up. Will people attempt to reconstruct the events from their photographic remnants? From the shadows that Microsoft are mysteriously offering us? The lipstick traces of human endeavour scored throughout their imaginary versions of Detroit and Duluth?

Andrew Otwell:MSFT's Virtual Earth movie
Virtual Earth: MSN's answer to Google Maps

Comments

re: the map on top of photo view. Multimap have had that for quite a while in their site. For example, this handy view

Gah, sorry that link broke. But essentially go to multipmap.com, find a place and click the 'aeriel' link and it'll happen. Click the 'bigger' option for even more impressive fun.

Ah yes, seen that before (syndicated to Foxtons too, right?) but thanks for reminding me ... But I think Microsoft's is sweeter - it's basically the satellite photo you saw before, with just the street names scribed on top, along the streets themselves. More hybridised :)

Post a comment

If you have a TypeKey or TypePad account, please Sign In

Noted elsewhere

Donate!

Leave a tip

Tip Jar

About this site

QR

  • qrcode

Advertisements

Job ads

Recent Photos

  • www.flickr.com

RECENT READING

  • Karen McCartney: Iconic Australian Houses: Three Decades of Domestic Architecture

    Karen McCartney: Iconic Australian Houses: Three Decades of Domestic Architecture
    Lovely book of modernist Australian architecture from 1950 to 1974. A coffee-table book but a wonderful one. Full notes here. (*****)

  • JG Ballard: Kingdom Come

    JG Ballard: Kingdom Come
    Ballard running on only one or two engines, but still chock full of wonderful ideas and observations, and with a few lines that will resonate forever. Curiously full of holes (no CCTV on the original crime?) but as a depiction of an England rotten to the core, timely and useful. (****)

  • Peter Jones: Ove Arup: Masterbuilder of the Twentieth Century

    Peter Jones: Ove Arup: Masterbuilder of the Twentieth Century
    Slightly haphazard biography of one of the great designers and leaders of the 20thC. The parts on building, design, organisation, context and practice are fascinating, and the portrait of Ove Arup himself is detailed and heartfelt. Some personal aspects are a little uneven and the writing is curiously disjointed in structure but it's a thoroughly good read overall, on one of the great thinkers and practitioners in architecture and engineering. (****)

  • Agustin Pérez Rubio: SANAA Houses: Kazuyo Sejima + Ryue Nishizawa

    Agustin Pérez Rubio: SANAA Houses: Kazuyo Sejima + Ryue Nishizawa
    Excellent book on the Japanese architecture firm. Full review here. (*****)

  • Nevil Shute: On the Beach

    Nevil Shute: On the Beach
    Absolutely fantastic read, if as thoroughly downbeat as a story about the end of the human race ought to be. Set in an Melbourne post-armageddon, as the last few people on earth live out their last months, it's a fascinating portrait of its time (1957) and Australia. (*****)

  • Elizabeth Farrelly: Blubberland: The Dangers of Happiness

    Elizabeth Farrelly: Blubberland: The Dangers of Happiness
    Architecture, urbanism, desire, happiness, beauty, obesity, greed, depression etc. A potent mix. A bit uneven, and journalistic in essence (which jars in this form) but good on Australia's architecture in particular, and with a beguiling speculative last chapter. (****)

  • Robert Hughes: Things I Didn't Know: A Memoir

    Robert Hughes: Things I Didn't Know: A Memoir
    Hughes is amongst the finest cultural critics and historians, and here focused on the first part of his own history and culture. So we get rich portraits of Australia, WW I and Vietnam, Italy, London, the 60s, art, food, sex, model aeroplanes &c as well as Mr. Hughes. Supreme writing applied to fascinating subject matter. (*****)

  • W.G. Sebald: The Rings of Saturn

    W.G. Sebald: The Rings of Saturn
    Jonathan Raban said "The finest book of long-distance mental travel that I've ever read" and I'm inclined to agree. A quietly majestic book, with peerless clear, evocative prose, drawn from immensely erudite research, and interspersed with simple ghostly photography. (*****)

  • Bruce Sterling: Shaping Things (Mediaworks Pamphlets)

    Bruce Sterling: Shaping Things (Mediaworks Pamphlets)
    A re-read, due to recent projects. Sterling, like the geeks he so admires, underestimates the richness of sensory information in the physical, when over-emphasising the new importance of the model, the map. The map has outgrown the territory only if you simply look at it. And yet there is no better guide to the map - of modeling, fabrication, the geoweb and arphids, and what this all means. Unlike most books in this field, it's as engagingly written as you'd expect and ultimately so thought-provoking and inspiring that you can forgive the oversight - which tends to come with, er, the territory. (*****)

  • Lebbeus Woods: War and Architecture (Pamphlet Architecture)

    Lebbeus Woods: War and Architecture (Pamphlet Architecture)
    Incredible radical response to the ruined Sarajevo. Must be read to comprehend the brilliance and bravery of his suggestions and visions, but essentially Woods suggests building in and around the 'scabs' and 'scars' of the shattered city, not simply in order to preserve or record history, but to also mitigate against further violence by creating a new heterarchical form of urban organisation. "Architecture must learn to transform the violence, even as violence knows how to transform the architecture." (*****)

  • David Peace: Tokyo Year Zero

    David Peace: Tokyo Year Zero
    Still dealing with this book. Reading this snapshot of a Tokyo in ruins, physically and psychologically, in 1947, after his shattering book on Brian Clough, feels like an odd change of gears initially. Yet the writing style - a kind of metronomic Ellroy-level intensity - pervades both, as does the startling ability to capture a sense of place and time. This is the more ambitious work, and may end up being one of the great modern evocations of Tokyo. (*****)

  • Peter Robb: Midnight in Sicily

    Peter Robb: Midnight in Sicily
    Perhaps the best book I've read in recent years, by Australian author Robb (see also 'A Death In Brazil') painting a portrait of southern Italy, filtered through history, food, literature, painting, architecture and principally the long-running legal cases against the Mafia. Absolutely extraordinary. (*****)

  • Geoff Dyer: Out of Sheer Rage: Wrestling With D.H. Lawrence

    Geoff Dyer: Out of Sheer Rage: Wrestling With D.H. Lawrence
    Genius. Only intermittently about Lawrence, and as much as Dyer's knees, childish Italians, Mexico, terrible Greeks, writing about place, horrible food, annoying English people, depression, travelling, and how dull Oxford is. One of the funniest books I've read, occasionally devastatingly sad, and also, accidentally/cleverly, brilliant on DH Lawrence. (*****)

  • Kerry William Purcell: Josef Muller-Brockmann

    Kerry William Purcell: Josef Muller-Brockmann
    Wonderfully detailed, carefully illustrated, and generally massive tome on the 20th century's greatest graphic designer. Essential. (*****)

  • Juhani Pallasmaa: The Eyes of the Skin: Architecture and the Senses

    Juhani Pallasmaa: The Eyes of the Skin: Architecture and the Senses
    One of those rare books that changes the way you think about everything. Already a huge influence, and one of the greatest books on architecture and urbanism that I've ever read. (*****)

  • Jun'ichiro Tanizaki: In Praise of Shadows

    Jun'ichiro Tanizaki: In Praise of Shadows
    A wonderful essay, from the early 20th century, on Japanese aesthetics. A perfect companion to Juhani Pallasmaa, but entirely pleasurable and enlightening on its own. (*****)

  • Christopher Woodward: In Ruins

    Christopher Woodward: In Ruins
    Unique book on the perception and understanding of ruins in western culture - specifically art history - by architectural historian Woodward. A bit too classically orientated - nothing on ruins in film, for instance - but some great stories and insights. (****)

  • Peter Carey: Wrong about Japan

    Peter Carey: Wrong about Japan
    Light (for Carey) but hugely enjoyable and interesting. Learnt few specifics - other than some interesting local insight on manga and anime - but gained a strong overall impression of Japan through Carey's eyes. (****)

  • Richard Williams: The Perfect 10

    Richard Williams: The Perfect 10
    Absolutely fantastic book on the great players in the most interesting, creative and challenging position in a football team. Puskas, Pele, Rivera, Mazzola, Netzer, Platini, Francescoli, Maradona, Baggio, Bergkamp, Zidane, all lovingly described by Williams. (*****)

  • Surveillance: Jonathan Raban

    Surveillance: Jonathan Raban
    I prefer Rabans's non-fiction - not that it's entirely 'non' - to his fiction, but he's such a good writer it's always entertaining and interesting. Ending a bit, well, open-ended - which is also interesting - but great, important themes here. (****)

Now playing

Recent Listening

  • Autistic Daughters -

    Autistic Daughters: Uneasy Flowers
    One of the best trios around - NZ's Dean Roberts with Werner Dafeldecker and Martin Brandlmeyer - joined on several tracks by Chris Abrahams of The Necks. Which is just about perfect. Wonderfully textured. (*****)

  • Klimek -

    Klimek: Dedications
    Blurring analogue (esp. guitar) experimentation with digital, in the now time-honoured fashion. But quite lovely. Track titles give some sense of the mise-en-scéne: "for Zofia Klimek & Gregory Crewdson"; "for Jim Hall & Kurt Kirkwood"; "for Mark Hollis & Giacinto Scelsi"; "for Eugene Chadborne & Henry Kaiser"; "for Steven Speilberg & Azza El-Hassan" etc and so forth. (*****)

  • Paavoharju: Laulu Laakson Kukista
    Fantastic. Unique. (*****)
  • Four Tet -

    Four Tet: Ringer
    An EP of 4 tracks, but a good size. Never mind the width though, feel the quality. Sidestepping his more abstract and Steve Reid-inflected recent work, Hebden delivers some beautifully pulsing techno, pilotis under a delicately arranged harmonic terrain. Fantastic stuff. (*****)

  • Themselves -

    Themselves: Them
    A few years after its release, I belatedly catch up with this album. A corker. Funny, lyrical and hugely enjoyable. (*****)

  • Goldmund -

    Goldmund: Two Point Discrimination
    Delicate, fragile and lovely. (*****)

  • Oren Ambarchi: Lost like a star
    The lad Ambarchi is one of the finest musicians around at the moment. Here, two long tracks of utterly gorgeous drone, with dynamics shifting from breathing to crashing, extracted from the guitar. Apparently available on vinyl, I picked up the mp3s from Boomkat.com (*****)
  • Burial: Untrue
    Believe the hype. At first 'glance' a perfectly reasonable but dated darkstep; with headphones on, another story. (****)
  • Atoms For Peace (Four Tet Remix)
    Thom Yorke: Atoms For Peace (Fourtet Remix) / Black Swan (Cristian Vogel Spare Parts Remix) / Black Swan (Vogel Bonus Beat Eraser Remix)
    The Four Tet mix of Atoms for Peace is quite the most beautiful thing I've heard for a while. Yorke's solo album wasn't all that, but this remix by Kieran is utterly gorgeous. The Cristian Vogel Spare Parts mix of Black Swan is top class too. (mp3s, exclusively available from Boomkat.com) (*****)
  • Wooden Shjips -

    Wooden Shjips: Wooden Shjips
    Can/Neu vs. psychedelia, with more than a touch of The Doors. Fear not, though, the vocals are a lesser concern than the searing guitar and metronomic Liebezeit rhythms. There's something absurd about this music emerging in 2007, but it's enjoyable absurd: like a long-lost The Mighty Boosh band. (*****)

  • The Whitest Boy Alive -

    The Whitest Boy Alive: Dreams
    Fantastic clipped sparse pop album from the great Erlend Øye, king of the convenient side project. Classy stuff. (*****)

  • Bruce Springsteen -

    Bruce Springsteen: Magic
    It's not all hybridised jazz and po-faced sound art round here you know. This is great stuff. Simply imagine you're Tony Soprano, thumping the steering wheel of his big black SUV as he smashes through red lights deep into the Jersey night. (****)

  • Bennie Maupin -

    Bennie Maupin: The Jewel in the Lotus
    Absolutely gorgeous album from 1974, just reissued by ECM (Herbie Hancock's only appearance on the label.) Beautiful tone-poems - a bit Zawinul - and fabulous understated playing. (*****)

  • The Necks: Townsville
    Of course, amazing and entrancing. A new live recording - from Feb 2007 at Thuringowa, Australia - by the world's most consistently brilliant band (?). No guitars or anything, as per their last ("Chemist"); just the familiar spiralling motifs, shimmering and floating, piano, bass, drums for 53 mins. (*****)
  • The North Sea -

    The North Sea: Exquisite Idols
    An album on free-folk label Type The North Sea is the recording name of Brad Rose, boss of associated free-folk label Digitalis Industries. It's great exploratory stuff, full of drones, banjos, odd percussion, tape manipulation and ambient noise, 15th century themes and 21st century formal experimentation. (*****)

  • Yuichiro Fujimoto -

    Yuichiro Fujimoto: Mountain Record
    Very pretty and gently experimental record, pitting Fujimoto's delicately angular musicianship against a) subtle digital manipulation, and b) ambient field recordings from a variety of locations. (****)

  • Dave Holland Quintet -

    Dave Holland Quintet: Extended Play: Live at Birdland
    Supreme modern jazz album by one of the best bands assembled in recent years, under direction of the legend Holland. Features the extraordinary Billy Kilson on drums, who is worth price of admission alone etc. etc. (*****)

  • Skallander -

    Skallander: Skallander
    Beautifully orchestrated pop album, in the avant-folky style that the TYPE label has defined (from a duo incl. Bevan Smith, who used to record sumptuous electronica as Aspen/Signer). Nice horns, smart arrangements, good songs. (****)

  • OOIOO -

    OOIOO: Taiga
    Quite brilliant, if quite insane, album from Japanese avant-pop band. Fantastic fun. (*****)

  • Stars of the Lid -

    Stars of the Lid: And Their Refinement of the Decline
    Absolutely beautiful. Almost too beautiful. One of the records of the year, for sure. (*****)

Blog powered by TypePad
Member since 08/2003

Measuremap

Analytics