Shuffle mode has become my preferred way of experiencing music. Save the odd bit of vinyl, I now listen to nothing but iTunes (on home and office macs and on my iPod, constantly shuffling songs between them) - I decided to sell all my CDs (except the handsomely packaged ones) some time ago, and have been 'Working For Bezos' on Amazon Marketplace for the last few months (hey, everybody wins at Marketplace!), and so, only rarely does my Mac find itself not chewing on 44.1khz of digital audio, churning out 192kbps of pure mp3 goodness, before I stuff the CD in the post.
I've now got 6000 tracks encoded, and counting. At this point, the numbers truly win out (again). The dizzying leaps between genres and times and places begin to get utterly compelling. As I noted previously, Echo.com had this ability to constantly surprise and delight (90% of the time), making suggestions about programming to you. With iTunes, you're even safer, in a world of music you've encoded or grabbed or swapped.
And yet, at those numbers, the experience is often breathtaking, and utterly delightful. Sometimes I skip through tracks barely listening, constructing tenuous narratives linking the random choices, as if iTunes knows ("Wow, Lewis Taylor followed by David Sylvian followed by Arthur Russell - some kinda Ethereal Crooner comp?"; "Hey it just segued Carter Burwell with John Barry! Must be a soundtrack-time-of-day ..."). It doesn't know of course, not like Echo began to know, and I'd be interested in how big ol' rating buttons could add to the experience (playlists are a smarter way of doing that, perhaps - UPDATE Apple just did this).
iTunes 12-second cross-fade ability is equally fabulous. I used to spend hours putting together minidiscs of densely-mixed out-there tunes, with 3 or 4 layers going at once. Now my Mac is beginning to do it for me.
Combined with the iPod, I'm listening to way more music than I used to.
I'm aware that the album-as-novel notion is threatened by this approach, but that concept only really applies in certain genres (and it's not like you can't override). But what I now realise I like about music is its breadth and richness, not the narrowness of focus on a particular artist/genre. Each randomly-sequenced track is like an aural postcard from another time, another place; each hits home, conjuring vivid memories, some real some false. Like walking down a busy city street, sounds come and go of their own volition. After years of listening to music constantly, I've suddenly got a whole new way of experiencing it.
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