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Nice Wired article on the lowercasesound scene. I've been a member of a lowercasesound mailing list for a couple of years now (mainly quietly lurking, which doesn't seem that inappropriate in this case). It's led me to discover some fabulous new music, and some fabulous older music too, principally John Cage and Morton Feldman.
[via Interconnected]
Concerning some less-lowercase-but-still-experimental sounds, you're often talking SuperCollider, not Lidell and Vogel but a Mac-based audio program (as heard on Autechre records, or most things Mego). And it became a free, open source project yesterday. It's available for download at http://www.audiosynth.com/.
[via DroneOn]
Various shows and events, essentially unrelated (or are they?). All via ResAlert
BANKSY
May 30, 6:00PM Central London, UK
Graffiti artist Banksy, whose illustrious spray paint can has struck the Tate Gallery steps as well as the penguin enclosure at the London Zoo, will unveil new work tonight somewhere in Central London. Send an e-mail to invite@bansky.co.uk to receive directions, and see the site below for more info on this subversive artist.
http://www.banksy.co.uk/
DESIGNERS REPUBLIC
June 5 - June 30 La Capella de l'Antic Hospital de Santa Creu c/Hospital 56, 08001 Barcelona, Spain
Sonar 2002 and the Institut de Cultura de Barcelona present a major retrospective of work by the cutting edge Designers Republic. Spanning 16 years, this show is being billed as "the most extensive exhibition of tDR's greatest hits and exclusive rarities never before shown in the same space." For further information, please contact abby@thedesignersrepublic.com.
http://www.sonar.es
JAMES TURRELL: INTO THE LIGHT
June 2 through April 30, 2003, Opening June 1, The Mattress Factory, 500 Sampsonia Way, Pittsburgh, Pennsylvania USA
New works by light artist James Turrell will be on display in this major exhibition. The Mattress Factory will celebrate its 25th Anniversary and the opening of the new exhibition on June 1, from dusk to dawn. The unique 25-hour celebration event will include a vast array of musical entertainment, performances and food. Info: 412-231-3169.
http://www.mattress.org/
WARSAW WAFU FUN: KAIJU BIG BATTEL + ENON
June 7, 9:00PM, Warsaw, 261 Driggs Ave, Brooklyn, NY, USA
Kaiju Big Battel has outgrown its Massachusetts stomping-ground and is now ready to invade Brooklyn. Join 800 Kaiju fans along with 20+ monsters, alien beasts and heroes as Kaiju Big Battel and musical guests Enon star in Warsaw Wafu Fun. This Friday's highly anticipated event -- complete with 15 blocks of crushable cityscape, Kaiju Jumbotrons and one reinforced Kaiju Danger Cage -- will be Kaiju Big Battel's first ever full-scale performance in New York City. Tickets are available at ticketweb.com as well as Ear Wax Records and The Village Underground. Info: 718-387-5252
http://www.kaiju.com/
This is great. NYCBloggers.com maps New York-based weblogs and bloggers onto their real-world, physical space locales. You can even view weblogs by subway station. I love these collisions between the "distancelessness of the Web" as David Weinberger has it, and the very real local communities-of-interest which exist within cities.
I'm reading Weinberger's Small Pieces Loosely Joined (like every other bugger) which is also great, so far. He notes, early on:
"We're getting to know many more people in many more associations than the physics of the real world permits, and these molecules, no longer bound to the solid earth, have gained both the randomness and the freedom of the airborne."
Which is absolutely true. I possibly even 'know' a few of those NYC bloggers. And yet, as has been evidenced by a few hundred years of communications technologies inter-relating with cities, these small pieces also tend to reinforce local communities in cities too. Sites like NYCBloggers seem to effortlessly coexist in both virtual and physical space(s) - someone decides to knock up a site listing NYC bloggers, in the meantime casually illustrating the infinitely flexible tensile strength between these small pieces - beautiful.
[via Matt Jones]
"My new favourite internet radio station: cliqhop idm at SomaFM. Now, if only someone would create a streaming-MP3 to radio broadcast gateway, and a device to let me tune in. I've a feeling I'm going to have to write something to capture the stream during the night and upload to my iPod first thing when I wake up for that morning commute."
Matt 'Interconnected' Webb articulates another example of a new music experience, in this case just out of reach (but not for long I suspect). Ideas like this occur at a rate of knots - it's a thunderously exciting time to be working with music and the Internet.
Oh dear. All my well-laid plans for a fabulous and successful life surely lie in ruins if I ever get my hands on this. The hours I've spent on previous versions will surely pale in comparison if this is as good as it's supposed to be . Promised improvements include truly local cause-and-effect, extra-city context, smarter buildings etc. etc. Bugger.
[via Haddock]
Tired of just watching the film? Then why not try this marvellous Film-Philosophy site. Slightly head-crushing, but some good stuff if you're in the mood.
[via Matt Fretwell - thanks!]
"Rewind to two summers ago and I'm lying out on my heli-pad in Stockholm's archipelago (sadly I own the pad but no chopper) on a perfect Baltic Saturday in August. Beside me is Wallpaper's entertaining editor Melina Keays. As she hates the sun, she's sporting large Chlo� sunglasses and an electric-green kaftan. I believe I'm wearing vintage Prada trunks in chocolate brown and Piz Buin SPF4 oil. We're halfway through a lovely French ros�, some new Swedish musical discovery is escaping from the house and we're contemplating a late afternoon kayak around the island ... We cranked out issue five from a pair of Macs in a windowless room and immediately celebrated our good fortune poolside at the Four Seasons in Bali."
Tyler Brulé reflects on his still-fabulous life, in The Guardian. Classic. Hilarious. And yet, Brulé was still somehow responsible for one of the only contemporary, mainstream productions (in any medium) to repeatedly engage with 'the city', and the idea of urban living as a positive endeavour; something to aspire to, rather than be afraid of (the latter theme is still prevalent in English culture, at least). The fact that its other aspirational targets were somewhat limited and sometimes facile is neither here nor there. You read into it what you wanted. What you read in it next ... who knows ...
The Urbis museum I helped curate/research last year is gearing up for opening, as is the press coverage. I'm still yet to actually see the finished version of the exhibit I worked on (a multimedia 'kiosk'-based exhibit on "Imagining The City"), and I'll tell the full story here sooner or later, but early reports are that it's been realised pretty darn well. The building itself is certainly striking, as this opening paragraph from The Observer makes clear.
"It's like a giant iceberg rising out of the city centre, shiny glass all glistening against the clear blue sky. Inside, a glass elevator takes you on a one-minute 'sky glide' to a point 35 metres above the city. The cityscape sprawls beyond and below. Welcome to Urbis, Manchester's shiny £30m new museum dedicated to the urban environment. When it opens, on 1 July, you will be able to experience life in cities around the world, from the hum of helicopters above the traffic gridlock in Sao Paulo to the nocturnal activities of Parisian graffiti artist, Andre. But hold on a minute - Sao Paulo, Los Angeles, Tokyo, Singapore, Paris - Manchester?"
Matt Jones points to a Salon article, briefly discussing the relationship between i-Mode take-up and urban form. Whilst the Salon article is a bit basic, there are no doubt interesting correlations between urban form, microniches of time and lifestyle, and the efficacy of portable digital media products.
Aurora Fernandez Per: The Public Chance: New Urban Landscapes (Spanish Edition)
Absolutely wonderful compendium of urban design and architecture projects worldwide. (I have the English edition rather than the Spanish this link points at.) (*****)
Gary Hume: Toyo Ito: Sendai Mediatheque
As with the Seattle Public Library book in this series from Actar, I've been poring over this over the last year, pulling details and insight into recent work. A good resource, well-produced. (*****)
Office for Metropolitan Architecture: Seattle Public Library
Decent overview from the Actar series. I've been using this heavily, along with the Sendai Mediatheque title, in work over the last year. (*****)
Geoff Dyer: Jeff in Venice, Death in Varanasi: A Novel
Hugely enjoyable, as ever. One of the finest British writers around. Not autobiography, but autobiography. Fiction, and non-fiction. Travel writing, and not travel writing. Hilarious and occasionally moving, learned and light, warm and bad-tempered, revelling in facile reactions and almost immeasurably deep. A mess of contradictions that establishes a coherent world-view. Which is a contradiction in itself, of course. Beautifully turned prose too, apparently effortless but almost certainly not. (*****)
William H. Whyte: The Social Life of Small Urban Spaces
Amazingly, I'd never read this in linear fashion, from cover to cover, until recently. Quite brilliant, clearly, and written so well. With humility and grace, wit and candour, insight and experience. Although focused primarily on New York of the '70s, it's still essential. (*****)
David Peace: GB84
Not sure why it's taken me so long to read this, as I'm a big fan of David Peace's writing and this book is set in and around the early-80s Sheffield of my youth. But it was well worth the wait. Peace fictionalises the miners' strike, and the extraordinary events of 1983-85 as Britain teetered on the edge of large scale civil unrest. But it's only just fiction, no matter how brutal it seems. A brilliant evocation of the time, and a social fabric stretched taut to breaking point. (*****)
R. Klanten: Data Flow: Visualising Information in Graphic Design
Pretty thorough compendium of examples. (*****)
J. G. Ballard: Miracles of Life: Shanghai to Shepperton: An Autobiography
Hugely enjoyable read. His life is incredible and humdrum all at once, which explains a fair bit of his writing. You feel there's a lot more he could tell, but his books have rarely outstayed their welcome. (*****)
Cormac Mccarthy: The Road
I don't recall being quite so affected by a book before. Absolutely extraordinary, particularly if you read within one day. It left me speechless, shattered and reflective. (*****)
Julianne Schultz (Editor): Griffith REVIEW 21: Hidden Queensland (Griffith Review)
Very good issue. Although it pores over the same old ground again and again from numerous angles, it ultimately reveals a fascinating, multiperspectival portrait of a place. Beneath its becalmed, languid easy-going surface, QLD has the scars of an extraordinarily rich half-century of history; a set of stories and characters well drawn out here. (****)
Conny Freyer: Digital by Design: Crafting Technology for Products and Environments
Excellent overview by Troika. Some lovely projects - although many seen before, a few I hadn't - and decent essays. A useful marker of what is now a discrete area of work/play. (*****)
Frank Duffy: Work and the City (Edge Futures Ser.)
Excellent summary of issues around working environments by DEGW's Duffy - from numerous angles, taking in history and future. Very useful read, even if you sense there's much more to come here. (*****)
Arjen Van Susteren: Metropolitan World Atlas
Beautifully designed reference book on urban form and behaviour, from the exceptional publishers 010. (*****)
Models: 306090 11 (306090)
Fantastic collection edited by Eric Ellingsen, covering all aspects of models as pertaining to designing the built environment. Digital and analogue in all modes, and philosophical and aesthetic considerations besides. (*****)
Andrew Stafford: Pig City: From the Saints to Savage Garden
Brilliant history of Brisbane, through its darkest years, as told through its popular music scene from the mid-70s on. (*****)
Monoliths and Dimensions
Sunn 0))): Monoliths and Dimensions
Ye Gods, the most startlingly beautiful thing I've heard for a long time. Absolutely stunning. They say: "the most musical piece we’ve done, and also the heaviest, powerful and most abstract set of chords we’ve laid to tape"." Features Eyvind Kang, Julian Priester (!), frequent collaborator Oren Ambarchi and a Viennese choir. (*****)
SND: Atavism
Brutal in its starkness, these ultra-precise, ultra-sparse clipped rhythms are the polar opposite of Sunn O))). (*****)
Jon Hassell: Last Night the Moon Came Dropping Its Clothes in the Street
(*****)
Inland
Mark Templeton: Inland
(*****)
Glass: Music in Twelve Parts
Philip Glass: Glass: Music in Twelve Parts
(*****)
Filastine: Dirty Bomb
Not every track works here but those that do are fantastic. A rich stew of jump-cut rhythms and Hispanic samples, framed by an architecture of R&B. (****)
Pan-American: White Bird Release
Typically seductive delicate ambient wonder. (*****)
Various Artists: Pop Ambient 2009
A few quite lovely tracks on here, generally those featuring the brilliant Klimek. Others are pretty enough but a little insubstantial. (****)
Flying Lotus: Los Angeles
Beautiful fractured rhythms and smeared fizzing neon samples. Wondrous piece of work. LA, indeed. (*****)
Antony and the Johnsons: The Crying Light
Luminous, shimmering, iridescent. Seriously, quite lovely. Only a couple of off-notes; otherwise, a major progression. (*****)
Balla et Ses Balladins: The Syliphone Years
Wonderful Guinean dance music troupe from the early-60s, recording on the state-owned Syliphone label. Sparkling guitar lines in particular. (*****)
Principle of Intrusive Relationships
São Paulo Underground: Principle of Intrusive Relationships
Electric-Miles-ian stew, a meaty feijoada, stirred with bubbling rhythms. (*****)
1897
Seaworthy: 1897
Recorded inside the Newington Armory heritage-listed arms depot in Sydney (built in 1897), and so redolent of cavernous reverberating chambers, this is full of lovely drones and fragments of picked guitar. Rather good. (****)
Sometimes I Wish We Were an Eagle
Bill Callahan: Sometimes I Wish We Were an Eagle
Lovely album from post-Smog Callahan (his own Clean Air Act?). The imagery is often bizarre yet tender, and his instantly recognisable voice and guitar now hoisted up a meatier production, and best of all, strings. (*****)
Coward
Nels Cline: Coward
Fabulous new solo album from 'Patsy'. Hanging around Wilco has informed things a little here, but elsewhere you can hear the influence Ralph Towner, Thurston Moore, Derek Bailey, Fennesz, Rod Poole, Bill Frisell etc etc. But it's Cline, above all, and he's certainly eased himself into that august company now. (*****)
Dance Mother
Telepathe: Dance Mother
Very saucy NYC art-pop. TV On The Radio-influenced (and indeed aided and abetted by TVOTR) but fresher, sharper. Beyond the studied hipness there's substance here too. [via Jace] (****)
Le Journaliste
Anne-James Chaton & Andy Moor: Le Journaliste
Best record I've heard in ages. Impenetrable torrents of raw French over Moor's brutal guitar-led soundtracks. I heard this on DJ Rupture's show and was immediately intrigued. You will be too. (*****)
Un Dia
Juana Molina: Un Dia
Fabulous of course. (*****)
Shostakovich: 24 Preludes & Fugues op. 87 / Jarrett
Dmitri Shostakovich: Shostakovich: 24 Preludes & Fugues op. 87 / Jarrett
Anthony R reckons Jarrett's playing is better suited to Shostakovich than Bach. I wouldn't know but I'm very much enjoyed these at the moment. (*****)
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